Featured on Jun 19th, 2018

RX100 VI

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Extend your reach with high zoom and faster focus

Extraordinary performance in an elegantly engineered package
All the features you need to capture the moment are here—wide 24–200 mm2 zoom range, lightning-fast autofocus, rapid continuous shooting, improved video capabilities, and pro-level operability—all in a remarkably compact body.

Aside from the step forward from the lens, other areas have included improvements that have been made to the new lens replaceable cameras. The BBC X processor, like the new model, has improved the processing speed of the Front-End BSI, thereby increasing the AF speed from 0.05 seconds to 0.03 seconds. But I think it may have contributed to the deep depth of the lens. Of course, not only the AF but also the noise performance has improved. The AF system has also been improved, so the area of the car is wider and the tracking performance is better. The built-in ND filter was deleted because the lens was dark. If the maximum opening is at best f 2.8, that shouldn't be a big deal.

The chassis is pretty much the same, and the control buttons and pop-up EVF, which was supposed to be manual but now it's completely automatic, and the touch screen is finally in. Sony's touch screen can only be disappointingly low-car, but it can still be helpful in the high-display RX 100 series. In VI, the previous series was only tilted at a limited angle, but in VI, selfie was able to go up to 180 degrees. There is some improvement in convenience.

The improvements are obviously good, but again, the lens is a problem. It's hard to say that the series is going well in that a person with RX 100 years can not unconditionally like VI. For example, some of the RX 100 users may have chosen to use bright standard zoom as their merit, but the sacrifice of the aperture instead of the telescopic effect would be an escalation. The bone marrow RX 100 owners would rather have wanted the same lens as Nikon's 16-50. The small sensors combined with the dark aperture have now become a story of the previous generation's crop mirror-leading bundle lens level noise. Now it's just a nice travel high-end camera.

Hunted by @maikuraki

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